Sometimes, it is challenging to decide which ‘measuring stick’ to use when evaluating the work of a group that is between the subjective parameters of being a very good regional group and those of a professional-level band that measures up to the artistic characteristics and standards expected by not only the critics, but also those of the paying consumer.
“Poor Mountain Home” bounces between those criteria. On the one hand, there are tracks where the standards could have been a bit higher.
This CD features genuine old-time, traditional Bluegrass music presented in a way most aficionados of that genre would appreciate.
The core sound is strongly reminiscent of Stanley Brothers recordings and, to a lesser degree, Larry Sparks and Bill Monroe.
Tom Isaac’s banjo playing is strong and the overall rhythm and feel is steady, correct and even a little pushy, at times—with emphasis on a Ralph Stanley-ish type of drive, as opposed to more modern rhythmic incarnations, such as that performed by many post-modern groups like Alison Kraus, for example. The harmonies are tight and the lead vocals are well-placed and well-suited for the chosen material.
I love it when I’m not expecting a new CD from an artist that I really like and a new one magically appears at my door.
Finnders and Youngberg’s new music arrived and it was in my CD player immediately! I was very impressed with their last release, so I knew that this one was going to be good…….. and it has lived up to all my expectations, and beyond.
The song writing is top shelf, the vocals are warm, expertly sung and expressive, the pickin’ is outrageously good, the personality and charisma of each player lights up the tracks, and it is recorded, mixed and mastered with an artistic and technical savvy. There isn’t a weak spot on the entire CD, and all that was evident after just one listening!
A number of groups have recently been releasing some very good Bluegrass music and Laurel River Line is no exception.
The band’s second project Farther Down The Line, which was produced by Randy Jones of Lonesome River Band, is something that almost every listener will enjoy.
It is straight forward Bluegrass from the first song and does not let up until the last song is complete. Laurel River Line gives listeners tight harmonies and hard-driving instrumentation.
I have just returned to Ireland after showcasing my own material in Raleigh, NC, at IBMA. I also got to hear about a hundred other bands, and my head is still ringing in the key of “G”, after hearing so many versions of “Goldrush” and “Clinch Mountain Backstep.”
Wonderful and all as these Classic Bluegrass tunes are, it's refreshing to get to listen to a Bluegrass CD that is comprised of fifteen original songs, in a great variety of different keys, and sung by a man in what could be fairly described as a 'non-Bluegrass' voice.
Si Kahn is a legend in songwriting circles, and is probably best known, certainly in Europe, for his classic, “Aragon Mill,” which seems to have been around for so long, that many knowledgeable folks around these parts consider it to be an old Traditional song. This is a kind of reverse compliment in one way, but not one, I'm fairly sure, that appeals to Mr. Kahn, or his performing rights society/publisher, in this case, Conexion-media.com, when it comes to the collection of royalties. But that's another story.
Ramble On is the debut recording project of the Dirty River Ramblers, from the Omaha, Nebraska area, and features ten original pieces, including three instrumentals.
A quick glance at the cover art suggests they are perhaps a traditional Bluegrass group, but, in fact, they sound more like a quasi-mix of Old-time, jam-band, folk, southern rock-ish with a prevailing old-time feel.
This effort is not likely to spawn accolades for spectacular musicianship or particularly strong vocal talents, though both are adequate and pleasant and some of the lead singing (not sure who sings where) is strong and somewhat above average.
You’re gonna love this CD! It’s as simple as that….. This twelve song release on Pinecastle Records is a solid musical endeavor bound to win Lorraine and the boys new fans. With power house vocalists and exceptional instrumentalists, they have all their bluegrass bases covered. Six original songs make a very strong statement as to how prolific this band can be, and the six cover songs are all well chosen and thought out as to how well they fit the band’s direction.
Lorraine wrote two of her songs with Terry Foust, “Livin’ Like I’m Dying,” which she also sings lead on, and “Hold Me One More Time.” She definitely needs to write more often with Mr. Foust! Both songs are cohesive lyrically and melodically, and, more important, they’re memorable and catchy. Her own “Bluegrass Barn,” sung by Tommy Long, is one her long time bluegrass fans are going to enjoy.
You can imagine my curiosity when I received a package from Melbourne, Australia with a note requesting consideration for review.
I truly had no idea what Australia’s version of Bluegrass would sound like or if it would even resemble my idea of Bluegrass.
I admit, I am open-minded about all genres of music and, in the case of Bluegrass, will not dismiss something just because it does not fit a preconceived mold. Although, in the case of this project, it is Bluegrass with a lean towards, what I would consider, a string band or folk sound.
O Winding River, the latest release by The Stetson Family, who are not blood relatives at all but rather five friends who, through circumstances that could in itself be the backdrop of a song, came together to share a common love of Bluegrass and American roots music.
With the release of My Cold Heart, the freshman venture from Indiana based Blue Mafia; the group has hit the ground running with no intentions of slowing down. Blue Mafia, formed in 2011 by the husband and wife team of Tony and Dara Wray, has quickly been making their presence known.
Tony, a well-known musician, and Dara, who wrote eight of the projects thirteen songs, have found the right combination that delivers a mixture of original material, classic renderings, and a hot instrumental.
Jacob Underwood is a talented and creative young man who has just released his inaugural CD, Grass Clippings.
This all-instrumental effort consists of five original pieces and five well-worn gems probably familiar to most folks in the Bluegrass community.
In addition to composing half of the recording titles, Jacob also plays all of the instruments, including banjo, fiddle, mandolin, guitar and bass.
Laine and Bud Snyder are probably the proudest parents in Bluegrass and acoustic music today. Their two oldest children, Samantha, 14, and Zeb, 18, are two musical prodigies currently setting the festivals, concert halls and airwaves on fire with their talents. Their youngest son, Owen, at seven years old, already has an established repertoire of audience favorites, too.
Samantha and Zeb are serious instrumentalists, vocalists and song writers, and Owen is “Mr. Personality” in the band. Their live shows are crowd pleasing excursions into rousing instrumentals, three part gospel harmony, with Mom, Laine, adding her vocals to their faith based inspirational songs, and Dad, Bud, holding it all together with his upright bass playing.
RED is the new CD Album from Italian Bluegrass Band, Red Wine.
This group of talented and dedicated players have been together for thirty-six years, through many personnel changes, though their Musical philosophy has always remained firmly rooted in hardcore Traditional Bluegrass.
If you were to hear the opening notes of almost any song or tune on this album, you might very well believe you were listening to any of the ace American Bands like Kentucky Thunder or the Del McCoury Band, and it’s only when it comes to the vocals that you might twig the fact that these guys are not from TN or NC.
