CD Review - Phil Leadbetter - THE NEXT MOVE

In 2005, The IBMA named Phil Leadbetter it’s Dobro Player of the Year, and his album, “Slide Effects” was the IBMA Instrumental Album Of The Year. 2005 was a very good year for Phil! Jump to the present, and the IBMA again voted Phil Dobro Player of the Year for 2014…. AND, from the sound of his newest release, “The Next Move,” Phil has another hit record on his hands!

I’ll bet if you could steal Phil’s cell phone, there wouldn’t be a major bluegrass or country star in Tennessee that you couldn’t call……. Just by going over the list of famous names who participated in the recording of this CD, you’ve got the cream of the crop all adding hot licks and memorable vocals to “The Next Move.” AND… the songwriters who threw their best tunes into this project is pretty astounding, too. I’ve been a Phil Leadbetter fan for a long time, and it’s pretty obvious that Phil has a lot of other fans that really do love the man. They all showed up for this party!

CD REVIEW - HOT RIZE - WHEN I'M FREE

Sometimes it takes getting out and going to a LIVE concert for me to remember just how powerful music can be…..  I had not heard the new HOT RIZE release, “When I’m Free” when I had the chance to see them here in Durango, CO. at Fort Lewis College on September 24th. As each new song was introduced on stage, the impact these new songs had on me was immediate! The level of songwriting, the depth of the lyrics and the freshness of the performance of these new tunes stood out like a neon sign in a one horse town!

In my review of their concert, I made the statement that “HOT RIZE is back”, and after listening to this CD for days on end now, they are indeed back, and they are better than ever.  The band, Nick Forster on electric bass, Pete Wernick on banjo, Bryan Sutton on acoustic lead guitar and Tim O’Brien on mandolin, guitar and fiddle, plays with a precise musicianship and focused intensity that has only grown stronger with time.

CD Review - Michael Cleveland & Flamekeeper - ON DOWN THE LINE

I've been around a lot of fiddle players in my time. Hundreds of jams, bands and listenings. I've heard my share of fiddle players.

I've “had” to sit through numerous fiddle contests featuring a category for virtually every age group and then some. Junior, Junior Junior, Teen, Adult, Senior, Senior Senior and Open. It's a great way to burn up a 3 day festival.

Having been exposed to this phenomenon, sometimes awe inspiring, sometimes excruciating, I have never heard or seen a fiddle player work a violin so hard as Michael Cleveland.

Yes, this is a good thing. If you've seen a live performance you know exactly what I am referring to. The quality of tone, precision, drive and innovation he pulls out of that delicate little instrument, and oh those chops, puts Michael in a class of his own.

CD Review - Michael Cleveland & Flamekeeper - ON DOWN THE LINE

Michael Cleveland is a nine time winner of the International Bluegrass Music Assn. (IBMA) Fiddle Player of the Year Award, and he’s up for it AGAIN in 2014! Listen to his newest CD, “ON DOWN THE LINE,” and you’ll know why in an instant!

A lot of fancy words get bandied around to describe his playing, all true, I must say, but…. in my humble opinion, what Michael has, in ample supply, is plain old simple FEEL! Feel can change with the tempo, the time signature, the genre of the song and a thousand other intangible aspects. For an instrumentalist to format his playing to enhance a good SONG, and all of a good song’s many elements, and to show that specific song off as beautifully as it needs and deserves to be, THAT is a musician being true to who he is. Cleveland puts his soul and passion into making the song the star. Let’s face it, the listener doesn’t always remember the person singing or playing the song, but…. they always remember the song, and the song is the final winner of every popularity contest. From what I’ve heard of Michael Cleveland, his FEEL is his strongest asset. There is simply no weakness in his playing, just turn him loose on anything, and he will make it shine, knowing exactly what to play, or, more importantly, what not to play. Michael can be the best friend a good song ever had.

CD Review - The Roys - THE VIEW

Lee and Elaine Roy are a brother-sister duo that largely features their considerable vocal and songwriting talents. Both have beautiful voices that enmesh nicely with each other. Elaine plays guitar and Lee plays mandolin and they are well-supported on this effort by Daniel Patrick on banjo and reso guitar, Clint White on fiddle and Erik Alvar on bass.

The View offers up eleven original cuts, including one instrumental, with the title cut sharing writing credit with longtime Country Music luminary, Bill Anderson. Their overall presentation on The View is well within the boundaries of what most would consider ‘Bluegrass,’ though they probably wouldn’t be characterized as “traditional” Bluegrass by most enthusiasts.

Elaine’s voice is ever-so-slightly salty, but gilded: smooth and clear with character and presence. She’s easy to listen to and well establishes her ability with fine lead-vocal work on the opening cut, No More Lonely, as well as on No More Tears (one of my favorites), Sometimes (a tribute to adults dealing with dementia-afflicted loved ones), Mended Wings and The View.

Prescription Bluegrass Reviews: Larry Sparks LONESOME and THEN SOME - A CLASSIC 50th CELEBRATION

An old friend of mine had recommended that I get Larry Sparks’ “40” CD seven or eight years ago…… she had worked on the recording and engineering of “40” and her enthusiasm for it, I found out in time, was more that justified. She’s good about steering me towards the “good” stuff, and I think she knew it would teach me plenty, if I would just take the time and really listen.

I did listen, and I learned so much about the depth, strength, history and pure power of bluegrass music from that CD, a recording I still listen to regularly. When Larry’s newest, “Lonesome and Then Some….. A Classic 50^th Celebration” arrived, it jumped right to the top of the pile! It’s been here two days and I’m already writing this review. What does THAT tell you? At this rate it’ll be worn out by Labor Day!

CD REVIEW: DETOUR - GOING NOWHERE FAST

Just so the gentle reader knows, I am being real careful here. My intent is to insure that I not overstate my delight with Michigan based bluegrass band Detour's latest release “Going Nowhere Fast.”

If you trust me, save yourself the burden of further reading and simply order, buy or download this CD now. If you don't trust me me, how dare you? Read on.

I would like to loosely quote icon Steve Martin in which he laments that “ ...a lot of bluegrass bands today sound alike. You can't tell one from the other when listening to a song on the radio.” Well said Steve, and you know Mr. Martin is right. If not for the artist identification technology of Sirius XM and other radio stations or a D.J. chiming in at the end of a song, most bands would go unrecognized. This is where Detour has an absolute advantage over the scores of today's bluegrass bands scratching and clawing for recognition. Listen to Detour's lead vocalist Missy Armstrong sing one song, just one, and you will never, ever, be in the dark about who's voice that is or what band you are listening to again. It has always been a quirk of mine to hit the rewind button in order hear again just a few notes of a good guitar lick or a nasty little mandolin fill. I caught myself backing up this CD over and over just to hear Missy sing the opening line,“Early on one Saturday...” to kick off Jeff Rose' “Train, Train.” Missy Armstrong's voice is a pure velvety tone and perfectly matches the vibe of this band.

Prescription Bluegrass CD Review - GRITS & SOUL Flood Waters!

I find myself drawn to new music that expands the borders of traditional music, that edginess is what I search for. That first generation of bluegrass and country music innovators is what I was raised on; and, I can’t remember a time when my parents weren’t listening to the latest hits when I was a kid. But, pushing those boundaries and adding different nuances and personalities to the traditional mix excites me!

Sometimes the experimentation is a total failure, but, when it works, and some new inflection is added to that “old” mix, my ears tell my heart to listen up and pay attention. That’s the case with the release of FLOOD WATERS, by the duo/band “Grits & Soul.“

Anna Kline and John Looney have written eleven songs that take me right back to the music of my formative years. They have a real grip and feel for that old sound, and, they’ve got the talent and intestinal fortitude to do it their own way, today!

PRESCRIPTION BLUEGRASS REVIEWS: Red June - Ancient Dreams

I wasn't ready for Red June. I looked over the CD cover and grazed over the liner notes. I saw the word “Organic.” I saw a non Martin guitar, a fiddle and a Dobro. I was in full Snob mode. My mind was made up. How can this be any good?

Then Red June took me to school. They took me to school and made me stay after. You'll not hear any hot banjo tunes or breakdowns on this CD. None needed. Red June doesn't roll like that. They are all about their original material. Original material that is tastefully arranged and faultlessly executed. I like this band.

PRESCRIPTION BLUEGRASS REVIEWS: GENTLEMEN OF BLUEGRASS - Carolina Memories!

As I started to listen to this CD, “Carolina Memories,” by The Gentlemen Of Bluegrass, I couldn’t help but think of my Mother.

The word “gentleman” is one of those key words in my memory bank. It’s Mother’s Day and Mom’s been gone now since January 4^th of 2011. She always told my brother and me that we needed to be gentlemen: open doors for the ladies, pull out their chairs for them at the dinner table, make sure we had a handkerchief (which she used to iron!) in our pants pocket and to use it if we needed to sneeze!

She also urged us to be gentle MEN. The first was not hard to remember, she reminded us frequently…the second was not always easy to accomplish.

 

Prescription Bluegrass CD Review: MohaviSoul - Blue Diesel

I have often daydreamed about how great it would be to live in a town or part of the country where you couldn't swing a dead cat without hitting a fiddle, banjo or mandolin player.

I know these places exist and it's not just Nashville, Tennessee. Some parts of the country produce pickers like Hawaii does pineapples. I admit that most of these coveted communities are located on the eastern half of the continent. Places where the problem isn't finding a jam, it's deciding which one to go to, and then you walk there.

Prescription Bluegrass Reviews - Johnny Campbell & The Bluegrass Drifters

“ ... This CD is proof that traditions are still being passed from generation to generation. Thanks to guys like Johnny Campbell, this music will never fade.”

                                                                                   - Marty Warburton / Prescription Bluegrass

os·mo·sis [ oz-moh-sis ] noun  1. a subtle or gradual absorption due to association or mingling: “Some of the students neglected to study, but seemed to learn by osmosis.”

Upon giving Johnny Campbell's self titled CD several rides in the F-150 listening room I vowed that I would use the word “osmosis” somewhere in this review. I just did. Why go there? I'm glad you asked.

Johnny is a third generation fiddle player that grew up in Nashville, Tennessee. Not only did Johnny's Dad and Grandpa play fiddle, but his older brother Jimmy played fiddle extensively with Jim & Jesse as well as Bill Monroe.

Here is a fact of musical reality; When you grow up around a Grandpa that plays fiddle, and you grow up in a house where your Dad and brother plays fiddle, you are setting your self up for this whole “osmosis” phenomenon.